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The Black Crowes are leaving the bullshit in the past. 15 years after their last album of original music, the Robinson Brothers present Happiness Bastards—their 10th studio album. Some may say the project has been several tumultuous years in the making, but it arrives at just the right time. Call it brotherly love or music destiny that brought them back together, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock & roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at its very best—gritty, loud, and in your face.
Since The Black Crowes reunited in 2019, they've made a triumphant return to form with over 150 shows spanning 20 countries worldwide, celebrating the 30th anniversary of Shake Your Money Maker, the album that put them on the map. Upon their return from the road, they knew they needed something new to show for their lost time. With producer Jay Joyce, The Robinson Brothers and longtime bassist Sven Pipien channeled years of experience into a raw, roots-driven sound. Happiness Bastards was released on March 15, 2024, and earned The Black Crowes their first GRAMMY nomination in over three decades for Best Rock Album. The band was also recently announced as 2025 Rock and Roll Hall of Fame nominees.
Next, The Black Crowes and Jimmy Page will release the 25th anniversary edition of Live From The Greek on March 14, 2025, revisiting their legendary live collaboration with a fresh spotlight on one of rock’s most electrifying pairings.
Read Southall can sure turn a phrase. “This record is the gasoline for the love machine,” he says of his band’s new album, the exhilarating and self-titled Southall. The proud Oklahoma workingman isn’t exaggerating. The record sparks and burns with 11 crank-it-up songs that expertly combine country, rock & roll, and the dust and grit of the band’s native Red Dirt scene.
But there are also glimpses of hard rock and metal, along with easygoing back-porch vibes, the result of a drastic change in the way the group formerly known as the Read Southall Band now makes music: Every member of Southall brings lyrics, melodies, and even full songs to the table. “It’s the colors of different people with different influences making music,” Southall says. “I’ve always been confident in the talents and abilities of the guys onstage with me, and I want our fans to see and hear that too. That’s why we changed our name to Southall.” Produced by Eddie Spear (Zach Bryan’s American Heartbreak) and recorded at Leon Russell’s iconic Church Studio in Tulsa, Southall manifests the true band album that singer Read Southall first envisioned when he released his debut, Six String Sorrow, in 2015. That was a mostly acoustic record, but Southall, the band’s fourth album, roars with raw and loud collaborative power. Reid Barber, the group’s resident metalhead, hammers his drums. Bassist Jeremee Knipp provides a brooding low end. Keys player Braxton Curliss adds both tasteful accents and off-the-rails barroom piano. And guitarists John Tyler Perry and Ryan Wellman wring wild sounds from their instruments. All of it is tied together by Southall’s scrappy, yearning voice.
